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Unless noted otherwise, events are held at the National Arts Club. There is a dress code for events at the Club, which is just east of Park Ave. South and 20th St.

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Upcoming Events

April 8th -May 2nd 2009
The Yeats Project
Festival of all Yeats plays presented by the Irish Repertory Theater.in association with Glucksman Ireland House, the American Irish Historical Society, and the WB Yeats Society of New York . Eight plays will have full productions on the Theater main stage; in Cycle A, The Countess Cathleen, The Cat And The Moon, and On Baile's Strand; in Cycle B, The Land of Heart's Desire, The Pot of Broth, Purgatory, A Full Moon In March and Cathleen Ni Houlihan. The remaining plays will be given readings in the downstairs studio theater, under the direction of George C. Heslin of the Origin Theatre Company.

Wed, Apr 8, 3 p.m. Main: Cycle A; 8 p.m. Main: Cycle B. Thur, Apr 9, 8 p.m. Main: Cycle A. Fri, Apr 10, 8 p.m. Main: Cycle B; Studio: Readings of Calvary, The Resurrection, The Hour Glass, and screening of "Yeats and the Theatre." Sat, Apr 11, 3 p.m. Main: Cycle A; Studio: Readings of Deirdre, The Death of Cuchulain, The Dreaming of the Bones; 8 p.m. Main: Cycle B; Studio: Readings of The Shadowy Waters, The Only Jealousy of Emer, The King’s Threshold. Sun, Apr 12, 3 p.m. Main: Cycle A; Studio: Readings of Sophocles’ Oedipus Rex, Sophocles’ Oedipus at Colonus. . Wed, Apr 15, 3 p.m. Main: Cycle A; 8 p.m. Main: Opening night-Cycle B. Thur, Apr 16, 8 p.m. Main: Cycle B; Studio: Readings of The King of the Great Clock Tower, The Unicorn from the Stars, The Herne’s Egg. Fri, Apr 17, 8 p.m. Main: Cycle A. Sat, Apr 18, 3 p.m. Main: Cycle A; 8 p.m. Main: Cycle A; Sun, Apr 19, 3 p.m. Main: Cycle A Wed, Apr 22, 3 p.m. Main: Cycle B; 8 p.m. Main: Cycle A; Thur, Apr 23, 8 p.m. Main: Cycle A. Fri, Apr 24, 8 p.m. Main: Cycle A, then discussion led by James Flannery; Studio: Readings of At Hawk’s Well, The Green Helmet, and The Player Queen, screening of "Players and the Painted Stage." Sat, Apr 25, 3 p.m. Main: Cycle B; 8 p.m. Main: Cycle A. Sun, Apr 26, 3 p.m. Main: Cycle B; Wed, Apr 29, 3 p.m. Main: Cycle B; 8 p.m. Main: Cycle A. Thur, Apr 30, 8 p.m. Main: Cycle B. Fri, May 1, 8 p.m. Main: Cycle B. Sat, May 2, 3 p.m. Main: Cycle B; 8 p.m. Main: Cycle A; Sun, May 3, 3 p.m. Main: Cycle A.

Other events will include

  • five special poetry evenings featuring distinguished guests
  • A recital by Darrah Carr Dance (Below)
  • a movie screening of the film The Words Upon the Window Pane, starring Geraldine Chaplin, Gerald McSorley, and Donal Donnelly
  • a literary evening featuring Pulitzer Prize-winning author Frank McCourt, Colm McCann, and special musical guests (Below).
  • An open microphone night for the public to take to the stage with a favorite Yeats poem. (Below)
  • At the American Irish Historical Society, a special reading of The Words Upon the Window Pane, with a screening of The Other World: Yeats and the Esoteric (Below)
  • John Kelly and Ronald Schuchard presenting The Collected Letters, Volume IV. See below
  • A panel discussion on Form and Idea in the Theatre of Yeats, (below).
  • A pecial one time reading of Ezra Pound, and their various lovers including Maud Gonne and Olivia Shakespeare.(below)

Performances on the main stage are Wednesday - Saturday at 8 PM, Matinees are Wednesday, Saturday, and Sunday at 3 PM. Tickets to The Yeats Project are on sale now. A special $100 Festival Pass is good for one admission to all Yeats Project events presented at the Irish Rep, subject to availability on a first-come, first-served basis. Single tickets to each Cycle A and Cycle B performances, $65 and $55. Single tickets to all other events, are $20. Tickets can be purchased by calling (212) 727-2737 or at the Box Office at 132 West 22nd Street, between 6th and 7th Avenues. 20% discount for Yeats Society, Ireland House and AIHS members. See further details here.

April 17th 2009 8PM

April 22nd 2009,8PM

Sailing to Byzantium
Special reading of the play by Sandra Deer. A story of love gone awry, against the backdrop of the Irish Rebellion of 1916 and World War I. It tells of Yeats, his secretary Ezra Pound, and their various loves of the Shakespear women. At the Studio Theatre, Irish Repertory, 132 W. 22nd St. $20 as part of the Yeats Project (above).

April 23rd 2009 7PM
The Collected Letters of W.B. Yeats
Distinguished Yeats scholars Prof. John Kelly of St. John's College, Oxford, and Prof. Ronald Schuchard of Emory University discuss their collaboration on the most recent volume of "one of the great works of literary scholarship of our time." (London Review of Books), The Collected Letters of W.B. Yeats: Volume IV (OUP, 2005). This volume, covering the crucial years 1905-1907, was awarded the ninth Morton N. Cohen Award for a Distinguished Edition of Letters by the Modern Language Association and is the fourth of a projected fifteen volumes. At NYU's Glucksman Ireland House, 1 Washington Mews (Fifth Avenue between Washington Square and 8th Street). $10; free to members of the Yeats Society and Ireland House.

April 25th, 10AM-5PM

Taste of Yeats Summer School
All-day program evoking spirit of the school in Ireland (see below). Program includes Profs. Jonathan Allison (UofKY and 2009 SS director), John Kelly (St. John's,Oxford) and Ronald Schuchard (Emory), both winners of our M.L. Rosenthal Golden Apple Award for contributions to Yeats studies; and Michael Wood (Princeton). Sam McCready presents a new version of The Great Yeats!, his one-man show about John Butler Yeats Includes a luncheon, social and summer school reunion (we may have many visitors from the summer school organization in Ireland). At NYU Glucksman Ireland House, One Washington Mews (Fifth Avenue between Washington Square and 8th Street). Fees Entire program, including refreshments, the afternoon social and the plays is $55 ($30 without lunch); morning only $19; afternoon with social $25; social only $10, . Special rates for paid-up Society members reserving by April 23rd. See detailed program.

April 25th, 3 PM

Form and Idea in the Theater of Yeats
At the Studio Theatre, Irish Repertory, 132 W. 22nd St. Yeats’ plays are written in perhaps the widest range of styles of any dramatist in the history of the theater. In each of his plays, the form is integrally related to the ideas being explored. Drawing on their experience with the Yeats International Theatre Festival (1989-1993) at the Abbey Theatre, panelists will discuss the ways in which Yeats employed masks, music, dance, puppetry, and a variety of different acting styles and conventions to express his mythopoeic and mystical vision of his world. Moderated by: Prof. James Flannery, Director of the W.B. Yeats Foundation at Emory University and Executive Director of the Yeats Festival. Panelists include: Bill Whelan, Composer of Riverdance and Composer and Music Director of the Yeats Festival; and Roman Paska, internationally known master puppeteer who staged a production of The Shadowy Waters at the Yeats Festival. $20 as part of the Yeats Project (above).

April 26th, 3 PM

SOLD OUT A Terrible Beauty: Politics and Passion
A program of poems and writings that reflect the tumultuous times and the poet’s response to a world where "the best lack all conviction while the worst are full of passionate intensity." With a screening of the documentary “The Mask,” which explores Yeats later years and legacy. At the Studio Theatre, Irish Repertory, 132 W. 22nd St. $20 as part of the Yeats Project (above).

April 28th 2009 8PM
Take the Stage
At the Irish Repertory Theatre, 132 W. 22nd St. Led by Marian Seldes, John McMartin, Brian F. O’Byrne, Christina Prince, and David Staller, members of the public are invited to come and strut their stuff. If you love Yeats poetry and your dream was always to bask in the footlights with legendary performers, this is a night you will never forget! If you intend to participate, the title of your Yeats poem must accompany your reservation. $20 as part of the Yeats Project (above).

April 30th 2009

Poem In Your Pocket Day. Remember to carry your favorite Yeats poem for sharing today.

April 30th 2009,7PM

The Words Upon the Window Pane
George C. Heslin directs a reading of "The Words Upon the Window Pane" in the beautiful and recently renovated American Irish Historical Society, serving as a backdrop for the play set in an eloquent Georgian townhouse in Dublin, where seven characters assemble to have a séance. The lost souls of Jonathan Swift, Stella, and Vanessa float through the air. The evening also includes a screening presentation of the documentary “The Other World: Yeats and the Esoteric.” The American Irish Historical Society is located at 991 5th Avenue. This event is free, but reservations are required. Call the box office at 212-727-2737.

May 2nd 2009,8PM

The Waters and the Wild: Early Poems and Folk Stories
A lyrical evening immersed in the Celtic Twilight featuring poems and tales of Sligo and his early folk discoveries. With a screening of the documentary "Yeats: The Life and Works of WB Yeats". At the Studio Theatre, Irish Repertory, 132 W. 22nd St. $20 as part of the Yeats Project (above).

CANCELLED: May 12th 2009 6:30 PM

An Evening with Deirdre Toomey and Warwick Gould
Deirdre Toomey and Warwick Gould accept our M.L. Rosenthal Award for contributions to Yeats studies. Morgan Library, 225 Madison Ave. (26th St.) Professor Toomey is unable totravel at this time.

May 15th-16th
Yeats' Anniversary Conference "Voice and Mask-Performing Identities", Georgia State University, Atlanta
in Association with Universit&eactute; Charles de Gaulle Lille III and Emory University; co-sponsored by the WB Yeats Society of NY. This conference seeks to address the whole corpus of Yeats' poetic and dramatic works, as well as his prose writings.

Yeats' impressive array of personae or masks combines with the conscious manipulation of voice, ranging from the remote and dignified to the trivial and lowly. Variations on voice and mask are decisive modalities of Yeats' effort to recreate an oral tradition and thus contribute to the elaboration of Ireland's cultural identity. On the other hand, they also relate to his histrionic propensity for "remaking himself" simultaneously with his own creation. Whether collective or individual, "identity" is thus envisaged as plural and dynamic, as performance rather than essence.

Thus, this paradoxical ontology of "voice and mask" in turn calls attention to the element of theatricality at the heart of Yeatsian aesthetics, in dramatic and non-dramatic forms alike. It also invites analyses of the ways in which literature overlaps with, and sometimes seeks to absorb, other art forms, in particular music and the visual arts; central to Yeats' oeuvre, for instance, is the tension and constant alternation between stasis and kinetic energy.

Confirmed keynote speakers include James Pethica (Williams College), Warwick Gould (University of London), and Elizabeth Muller (Université de Nantes). Registration information and other details to come.

July 25th-August 9th 2009
50th Annual Yeats Summer School in Sligo

Tuition 650 euros for two weeks.Directors Jonathan Allison, University of Kentucky, and Maureen Murphy. The school will be opened by Helen Vendler on Sunday 26th July. There will be a poetry workshop, and poetry readings by Seamus Heaney, Michael Longley, Dennis O'Driscoll, Julie O'Callaghan, Justin Quinn, Peter McDonald and others, and a drama workshop led by Sam & Joan McCready. Lectures include:

  • Denis Donoghue (NYU): Three Presences: Yeats, Eliot, Pound;
  • Helen Vendler (Harvard): Vacillation: the Yeatsian Contraries;
  • Roy Foster (Oxford): Yeats and Fascism;
  • Terence Brown (Trinity): Yeats: the Colour of Poetry;
  • Edna Longley (Queen's), Yeats's Other Island;
  • John Kelly (Oxford):Inheriting a Philosophy of Life: W.B. Yeats's Debt to his Father
  • Elizabeth Butler Cullingford (U of Texas): Cuchulain's Only Son
  • David Fitzpatrick (TCD): Yeats and Sligo
  • Ronald Schuchard (Emory): Yeats' Early Vision: Lost and Regained, 1903-1917
  • Warwick Gould (U of London): Yeats, Arthur Symons and Symbolism
  • Bernard O'Donoghue (Oxford): Yeats, Edward Walsh and the Gathering of Folklore
  • Deirdre Toomey (U of London): Sent out naked on the roads Yeats's Phantasmagoria from The Cold Heaven to Cuchulain comforted
  • Colbert Kearney (UC Cork), Yeats and O'Casey in the Abbey Theatre
  • George Bornstein (U of Michigan): The Winding Stair and Other Poems
  • Declan Kiely (Morgan Library): Yeats and Milton
  • Meg Harper (Georgia State), Cuchulain the American
  • Nicholas Allen (NUI Galway), Observing Jack Yeats
  • Anne Margaret Daniel (New School U): Yeats the Literary Hero
  • Peter McDonald (Oxford) Title forthcoming
  • Maureen Murphy (Hofstra): Lily and Lolly Yeats: the American Dimension
  • Jonathan Allison (U of Kentucky): The Old Moon-Phaser: Yeats, Auden and MacNeice.
  • \
  Seminars to include the following: and others to be announced.For further information and application forms watch the Sligo web pages or contact the Yeats Society, Douglas Hyde Bridge, Sligo, Ireland; 011-353-7191-42693; fax 011-353-7191-42780 011-353-71-42693; fax: 071-91

 

 

 

 

 

 

Past Events

Oct. 2nd 2008 7 PM

Yeats and Tragic Sense of Life> Nicholas Grene of Trinity College, Dublin and a regular at the Yeats Summer and Winter schools, speaks on the key words and habits of speech in Yeats’s poetry, such as the use of dates and place names within individual poems; certain Yeatsian words (dream, bitter, sweet) and images (birds and beasts); and dialogue and monologue as the voices of his dramatic lyrics. Copies of his Oxford University Press book on this subject, Yeats' Poetic Codes, will be on sale. In cooperation with and at NYU’s Glucksman Ireland House, 1 Washington Mews, east side of Fifth Avenue one block north of Washington Square Arch. Free to Yeats Society and GIH members.

Oct. 3rd, 6 PM

Vacillation
Helen Vendler, whose book Our Secret Discipline: Yeats and Lyric Form was released recently by The Belknap Press of Harvard University Press, speaks on Yeats's eight-part sequence Vacillation, composed in 1931-32 and appearing in The Winding Stair (1933). In it, vacillating between the "staring fury" of visionary fire and the "blind lush leaf" of sensuous existence, between "aimless joy" and the weight of remorse, Yeats adjures himself to begin the preparation for his death by outlining the contraries that have occupied his imagination in life. He balances the claims of the soul against the claims of the heart, secular conquest against temporal transience, earthly bloodshed against the ideal beauty of the "gaudy moon," and "unchristened" Homer against the Catholic theologian Baron Friedrich Von Hügel (author of The Mystical Element of Religion). Prof. Vendler considers several perplexing issues raised by Vacillation, speculating on Yeats's choice of various verse-forms for the eight parts of the sequence, the order in which the parts are arranged, and the poet's "vacillation" here between the personal "I" and impersonal forms of utterance. Like Under Ben Bulben and The Man and the Echo (both1938), Vacillation is one of Yeats's late manifestos, and she asks to what degree this "preparation for his death" is consistent with the ones composed five years later. At the National Arts Club, free. To attend 8 p.m. dinner with Prof. Vendler, send your check for $49, made out to the WB Yeats Society of NY, to be in our mailbox at the club by October 1.

NEW Nov. 13th, 8 PM

CATALPA Theater Party
Theater night for Donal O'Kelly's Catalpa, a play about the daring Irish-Australian prison rescue of 1875, at the Irish Arts Center, 553 W. 51st St. Call 212-868-4444 for reservations. Yeats Society members use promtion code CATWBY for $30 discount offer.

Nov. 21st, 6 PM

Patrick Bergin’s Yeats Trilogy
Screening at the National Arts Club of the 1999 film of three short plays,The Cat and the Moon, Calvary and The Countess Cathleen, directed by and featuring the international film star Patrick Bergin To attend 8 p.m. dinner following, send your check for $49, made out to the WB Yeats Society of NY, to arrive in our mailbox at the club by November 18.

February 1st 2009
Poetry Contest deadline

NEW Dec. 8th , 7 PM

A Child's Christmas in Wales
Handcart Ensemble and Verse Theater Manhattan present Stories and Poems by Dylan Thomas performed by Guy Masterson. Come greet the holiday season with the enthrallingly crafted memories and musings of Dylan Thomas as performed by Welsh actor Guy Masterson. Like his uncle Richard Burton before him, Masterson has a shamanistic gift for voicing the earthy lyricism and colorful characterizations that fill Thomas' works. His physically charged renditions of A Child's Christmas in Wales, Fern Hill, and other Dylan Thomas poems and stories earned him the 2001 Stage Award for Best Actor at the Edinburgh Fringe. Ideal Glass Gallery, 22 E 2nd Street (between Bowery and 2nd Avenue) $30 - General admission ($25 for Yeats Society members using promo code YEATS

December 15th, 6

Holiday party-dinner
Cash bar and social (we’ll have special guests) from 6 p.m., dinner at 7:30. $49 reception and dinner, or $10 for reception only, if your check is in our mailbox at the club by December 17; both $5 higher at door (if space available).

Feb 6-8th 2009 (Tentative)
Yeats Winter Weekend Sligo, Lighter version of the summer school. Reception and entertainment Friday 8:30; two lectures, bus tour and dinner Saturday; morning lecture, lunch, and tour Lissadell House and Yeats' grave Sunday. Director: Dr. Róisín Kennedy, Yeats Curator at the National Gallery of Ireland. At Sligo Park Hotel. Tuition of 199 euros ,includes room and meals, additonal 20 euros for single, additional 35 euros additional for Sunday night. Lissadell tour 12 euros. See summer school contact info below, e-mail Sligo@LeeHotels.com or write us.

February 27th 2009 6-7:30
A Journey into Ireland's Literary Revival
Writer and photographer Robert Todd Felton traveled the areas that fueled the imaginations of the writers who created the great tide of literary invention that swept Ireland from the 1980s to the 1920s. Yeats, Synge and Gregory, who celebrated the mystical traditions of the West; O'Casey and others who explored Dublin's crowded streets and tenements. His slide talk examines the relationship between these writers and the areas that inspired them. It s part history, part biography, part travel guide, just like his book of the same title (Roaring Forties Press, 2007). Felton also has written books about Thoreau's Walden Pond and Emerson's Boston,. articles on hiking in the footsteps of Jack Kerouac, exploring Hunter S. Thompson's Las Vegas, and driving through Austria where the hills are alive with The Sound of Music. At the National Arts Club; free, but space limited. Followed by dinner with the speaker (only 10 seats available on this busy evening) in Club dining room; $49 in advance, so send your check made out to the society right away.

March 17th-22nd 2009
THE CAMBRIA, a play celebrating Frederick Douglass' historic trip to Ireland
After release of his A Narrative of the Life of an American Slave, Douglass was forced to flee the U.S. in 1845.  With false papers, and a bounty on his head from enraged slaveholders, he boarded the Cunard Line paddle steamer Cambria out of Boston bound for Ireland, where he was greeted as a hero by the Irish people and spoke at mass meetings on platforms with Daniel O'Connell. Seven performances only, Tue-Fri 8 p.m., Sat 2 p.m., Sun 3 p.m. At the Irish Arts Center, 553 West 51 Street, between Tenth & Eleventh Avenues. Tickets normally $40 are $30 for Yeats Society members using promo code WBYCAM. Order at Smarttix or call (212) 868-4444.

March 26th 2009 8PM
Theater Party: Brian Friel's Aristocrats
One of the most distinctive voices in contemporary Irish theater, master storyteller Brian Friel is at the top of his form with this touching story of a once powerful and aristocratic family in days of decline. Friel's most Chekovian play examines the Ballybeg Big House in its remembered heyday and in the era of a heartbreaking social change. Dark memories invade the family gathered for the wedding of the youngest sister as the family tries to escape the seriousness of their situation and the difficult life that awaits each as they follow separate paths. Glorious Chopin melodies accompany the memories of the past and the realities of the present as the language flirts with lyricism and skepticism that Friel balances with his particular genius. With Orlagh Cassidy, Rufus Collins, Sean Gormley, Lynn Hawley, John Keating, Laura Odeh, Ciarán O'Reilly and Geddeth Smith; directed by Charlotte Moore. Tickets, normally $65 and $55, are only $30 with no service charge for Yeats Society members using promo code YSNY for this performance at 212-727-2737. Short wine reception during intermission. Irish Repertory Theatre, 132 West 22 Street, between 6th & 7th Avenues.

April 6th 2009 7PM
Readings
Readings marking National Poetry Month, and presentations of Poetry Contest awards by our judge, Alice Quinn, executive director of the Poetry Society of America and former poetry editor of The New Yorker; and poet Greg Delanty. Appearance by Frank McCourt. At Barnes & Noble, Union Square, 33 E. 17th St.

April 14th 2009 7PM
The Fiddle and the Pen
At the Irish Repertory Theatre, 132 W. 22nd St. An informal night wherein musicians and writers share the stage, read their favorite poems, and reveal the influence Yeats brought to their own works. Frank McCourt, Colm McCann, Ciarán Sheehan, and guests mix with the minstrels! $20 as part of the Yeats Project (above).


W.B. Yeats Society of NY, c/o National Arts Club, 15 Grammercy Park South, New York, NY 10003. ((212) 780-0605)